Sabato De Sarno, creative correction and a season of chaos

“This is bullshit.” Such was Sabato De Sarno’s response to those who said “he just did a commercial collection” at his debut show for Gucci back in September 2023. Today, De Sarno’s abrupt exit from the brand seems like a bittersweet validation of his take. Because Gucci’s financial woes during his creative tenure have apparently provided ultimate proof that his collections were not, in the end, “commercial” — or at least not nearly “commercial” enough. And so came Kering’s pivot today from ancora to basta.

So who’s next at Gucci, as it looks to apply a fresh creative correction to its commercial performance? By now, we all know the drill. Changes in creative directorship at luxury’s best-known fashion houses create a rich vein of engagement online. Above-the-line speculation as to who might succeed De Sarno will prove irresistible, even when it’s wrong. Names will not only be mooted, but also posted and printed before Gucci discloses its next step (in fact, they already are being). We will only know for sure who Gucci’s next creative director will be when Gucci chooses to announce it.

So let’s ask another question begged by De Sarno’s departure: how transformative to the fortunes of a house can a new creative director really be? De Sarno himself was tasked with transformation when he replaced Alessandro Michele — who more than doubled Gucci’s sales to over €10 billion during his seven-year tenure, but exited as the hyper-growth began to slow.

In 2025, we will see designer debuts at big beast brands including Calvin Klein (Veronica Leoni), Tom Ford (Haider Ackermann), Givenchy (Sarah Burton), Dries Van Noten (Julian Klausner), Bottega Veneta (Louise Trotter), Celine (Michael Rider) and — at the biggest beast of all — Chanel (Matthieu Blazy). There are also tantalising debuts at smaller houses including Alberta Ferretti (Lorenzo Serafini), Fforme (Frances Howie) and Blumarine (David Koma). We just saw Peter Copping begin his stint at Lanvin, and following Kim Jones’s exit from Dior Men and Fendi, we know there must be more, as yet unannounced, creative director appointments to come. And yes, there are rumours (which Vogue Business will only report as and when they are confirmed) of change at other houses, too. All in all, that’s a lot of noise.

  • Related Posts

    The Vogue Business Autumn/Winter 2025 menswear size inclusivity report

    On the surface, size inclusivity improved for the Autumn/Winter 2025 menswear season, but there’s more to the data than meets the eye. The uptick was mostly thanks to an increase…

    Continue reading
    5 womenswear trend predictions for Autumn/Winter 2025

    Hot on the heels of the Milan and Paris menswear shows, Copenhagen Fashion Week, Berlin Fashion Week and couture week, it’s time for the Autumn/Winter 2025 womenswear shows in New…

    Continue reading

    Leave a Reply

    Your email address will not be published. Required fields are marked *

    You Missed

    The ‘Sephora kids’ aren’t going anywhere

    • By Henry
    • February 10, 2025
    • 108 views
    The ‘Sephora kids’ aren’t going anywhere

    What if robots ran the beauty industry?

    • By Henry
    • February 8, 2025
    • 116 views
    What if robots ran the beauty industry?

    EXCLUSIVE: Hair Accessories Brand Emi Jay Enters Sephora

    • By Henry
    • February 8, 2025
    • 125 views
    EXCLUSIVE: Hair Accessories Brand Emi Jay Enters Sephora

    L’Oréal sales rise 2.5% in Q4, below expectations

    • By Henry
    • February 7, 2025
    • 118 views
    L’Oréal sales rise 2.5% in Q4, below expectations

    The Vogue Business Autumn/Winter 2025 menswear size inclusivity report

    • By Henry
    • February 7, 2025
    • 105 views
    The Vogue Business Autumn/Winter 2025 menswear size inclusivity report

    5 ways to do Black Friday more sustainably

    • By Henry
    • February 7, 2025
    • 106 views
    5 ways to do Black Friday more sustainably